The Artful Journey

Exploring my self and the world through art.


Art journaling, watercolor sketching, and a whole lotta inspiration link love

I’ve been doing some personal art journaling, although I haven’t gone back into the Better Than Gold book yet.  This last week, I’ve been working in my hardbound black sketch book, which is about 8 x 5 (on the right):


And yes, I do have to label all my plain black sketchbooks as to which is the top, as I always pick them up and start drawing and realize it’s upside down.  Anyway…I’ve been doing new things and playing with mixed media in layers, layers, layers, and as a result I’ve had to thin the sketch book down to half the pages.  Plus the closure I made for it broke already because it’s too voluptuous, so I’m working on another.  Don’t worry, I saved the removed signatures, which came out whole by the way, and I’m going to sew up a second journal with them.  Moving on…this page was inspired by McDonald’s artwork on their bags.


I know, I’m so ashamed.  I hate lauding a corporate giant monster like them, but that color combo and those fonts, the line variation…it’s all evil genius.  And I was feeling pretty grateful for being able to buy fast food when I want to, since I haven’t always been able to afford to do that.  I was inspired to do fast collage by Moira Richardson, literarytease on youtube, whose technique I’ve been studying so I can get fast and loose with my own adhesives.  I watched her video on using punchinella, and that along with others made me hit her Key Lime Supplies etsy shop and buy up her mega uber punchinella set of 20 different unique types.  My birthday was yesterday, so that was my present as it arrived this morning.  🙂  I’ll be sharing my mad experimentation with that later.  You can go there and buy your own set, but don’t buy her clearance red and white tape, because I’m totally kicking myself for not just ordering like…all she had, because I got one roll and it’s *effin’ awesome*.  So don’t buy it.  Unless it’s for me.  Then I’m happy to give you my address so you can send it.

Okay, so I also did a spread to marinate on some advice Juliana Coles gave me in the Book of the Night workshop I’m in.  I ordered a couple of her booklets from her etsy shop, and she tucked in some ephemera with them, so I did a spread using that ephemera and the parts of our conversation that were hitting me the hardest:


The skeleton and the painting of the man on the right are both her artwork. The Book of the Night workshop is all about diving into your deepest, darkest recesses and bringing all your shit into the light, and the current assignment is one that I’ve been dreading and stalling on and whining about, so this was a tiny bit of the wonderful advice she gave me about that.

I also did this spread upon waking up to a truly shitty day:


I really debated on sharing that one, but I want to be genuine here, so well…there ya go.  As with any work I post here, I’m happy to answer questions about technique, but uh…not content.

So yeah, I fell into a depression this week, and like I’ve mentioned before, when my inspiration well runs dry, I hit youtube.  And last night, I followed Les Herger’s blog post links to some great youtube videos on watercolor, and the Journal Junkies one especially inspired me to do stenciling and stamping with watercolor, which I’d never done before.  This morning, I totally randomly stumbled on this video on Pocket Sketching, which reminded me how fun it was to do sketch and wash, and also how uninhibited I always feel when I work in a tiny journal.  She also confirmed what I had suspected but not yet tested for myself, that good quality drawing paper works great for sketch and watercolor wash.  Then, to top it off, I got today’s prompt from A Year in the Life of an Art Journal, which was to draw lips.  I’ve been following them for over a year but have never shared anything.  But I love to draw lips, so I decided it was time to join in.

So, I combined all my inspirations from last night and this morning, and did watercolor sketch and wash, watercolor stencils and stamps, and working in a new pamphlet-bound 4 x 6 journal I made of drawing paper, and did this page, a real departure in style for me:


I really love it.  I couldn’t stop playing.  So I also did some other ink and watercolor wash sketches,



and then did a 4 x 6 watercolor postcard for my grandma, who just LOVES to get snailmail.  🙂


I’m still working on the whole making my own videos thing.  I think it’s going to be a bit more complicated than I thought, especially since I’m living in a very small space and working in a very, very, very small space.  But I want to do it, and I’m not giving up on it.  I figure I can at least do some journal flips.  Those are easy.  I’ll keep you posted as I figure things out!  In the meantime, my old youtube channel, Flighty Artist, has a plethora of public playlists that are particularly play-inspiring, so if you need some muse juice, I recommend you check ’em out.

Thanks for visiting!  Bye for now!


The GIRLS are in da houuuuuse!

Wow, who knew THIS would be the answer to my quest for the right journal?  This post has NO cussing, by the way.  I know, weird.  But it’s kinda all about the love for me now.


Last night, I finished gluing the pages together in my altered vintage book, which I believe will keep the original title of “Better Than Gold.”  This gives me 40 pages to work on in the end, or 20 spreads.  (A page is one side of a sheet of paper, a spread is the two pages you can see when a book is open flat.)


If you’re curious, I used a jumbo Uhu glue stick and burnished with a ruler.  The best tutorial on altering a book that I’ve found is probably Suzette Morrow’s, so if you’re new to that and curious, check it out.  Then you’ll see how I basically ignored most of her great advice.  Anyway…

Then I was seeking my next step, not sure how to proceed, so I went where I always do.  Youtube.  Nothing inspires me more than watching other people create.  So I was watching some youtube videos of some new artists (new to me, anyway) and ended up joining a new art community, Community Thrive.  I was hanging out there and reading how Mystele, the founding artist there, sometimes uses gesso to adhere her collage images to her surface.  That felt like a great idea for the new book, even though I’d never done it before.  I thought it would help me to not get too attached to the girls’ images when doing my pages.  I tend not to work over images because I get attached to them, then the page can’t evolve into what it wants to be.  This way, the gesso obscures the pictures a bit, making them more of a background, so that I can feel free to work over them completely, allowing all those girls to end up as guiding angels in the atmosphere of the finished page, even if you can’t see them anymore.  I felt I was guided to this next step.
So, today I sat down with all the images I cut out yesterday and I gesso-collaged girls onto every page of the book.


For my process, I used a palette knife to spread a thin layer of gesso, laid the picture down, then scraped over the top, smoothing out air bubbles and spreading gesso around thinly and somewhat evenly.


Then I took an antibacterial hand wipe and wiped a bit of the gesso off the faces of the girls to bring them back out just a bit before the gesso dried.  And no, the process wasn’t messy at all.  Why do you ask?  I just had to wipe gesso off my computer touchpad…twice…before it was totally ruined…that’s all…


And I’m really happy with the results.  They’re just what I was going for in my first layer.


At first I wasn’t sure about this project.  In paging through and gluing, I was angered again by the misogyny in the book, and I didn’t know if it was worth it to feel that.  But the support I’ve received from others over this project made me push through that.  It lifted me up through the anger and empowered me to keep working and see where I would end up.  I’m so very grateful for that support and so glad I pushed through, because today it has made me so happy to see all these beautiful, real, shining girls’ faces added back into the stories in this book.  All the time I was working, I found myself smiling back into their joyfully smiling faces.


I am now feeling a love for this book, and it makes me realize that this is how this book and its original darkness will be transmuted.  Through love.  My love for all the girls and all of us women, and my love for art, as well as the love I’ve felt from the people supporting me in this project.


And I feel I’m also being led to the way to do that best.  I’ve been exploring and discovering there is a whole movement into intuitive art, art made without thinking, art that is brought out from within, art that just ‘happens’ itself into being, art that begins nowhere and meanders its way to pure magic.  In my personal experiments in Juliana Coles’ Book of the Night workshop, I’ve found that is the art that ends up speaking the loudest.  That is the art that ends up being divinely guided and going places I could never have imagined it could go.  That is the kind of work I want to do in this journal.  This is how I tend to work anyway, but I’ve never really submitted to it except in my abstract paintings.  I’ve never honored it as the true path to my authentic artistic voice in my journals.  That is what I intend to do now.

As I’ve mentioned before, I also intend to buy a tablet and start a video channel, and I’m excited to maybe do some of these pages on camera so we can experience the process together, and so that I can watch it all again and again!  This way of doing art is about so very much more than just the finished piece, and without letting you look over my shoulder, I don’t really know how to share all the magic that happens.  And if you haven’t worked this way or watched someone work this way, you can’t imagine what kind of magic DOES happen.  I mean, seriously.  It blows my mind.

Hopefully I won’t just totally choke on camera, and it will be fun to do and fun to watch.  I’d love to have my tablet figured out and my first video up around the beginning of February.  I’ll keep you posted!  To subscribe to my channel in advance, you can find me as The Artful Journey on youtube.  I’m building some fantastic playlists there, full of my favorite art and art journaling videos, so be sure to check those out while you’re waiting on that first video.  And nag me if you think it’s taking too long.  That totally works on me.  It’s hard to create in a vacuum, (and I fight severe depression all the time) but with the added energy of just a few interested viewers lifting me up, miracles can happen.

I would love to hear any recommendations of artists you feel use a very intuitive, no-thinking approach to channeling their art onto the page or canvas (or whatever), so please share your favorites!  I will be putting together a running list of my own and would love to check out some new ones to include!  If you work this way and have done a video or blog post about it, please include the link in your comment so we can all check it out.

Thanks for joining me on the journey…bye for now!


Altering a vintage book to transform the wounded feminine.


**WARNING**  Adult language ahead.  Full-out ranting, actually.  This is a new blog, so you all don’t know what you might be in for, but this isn’t your typical craft blog that’s all sunshine and pretty flowers.  I cuss.  A lot.  And I’m angry and disappointed about a lot of things in this world.  And since I’m exploring my life, my work, my personal journey through art in this blog, I’m going to be talking about the shit that comes up.

So now you know.  If you don’t like cussing, you won’t like hanging out with me.  I’m sorry about that.  I get that it’s harsh, that it is disruptive of the peace, that some people think it’s a sign of ignorance, but for me, it’s liberation.  It’s truth.  It’s rebellion against the establishment that would have us women be forever young and ignorant and innocent and virginal, thin to the point of starvation, pale, long-haired, quiet, polite, well-behaved, always nice, shaved bare, mostly-naked, heavily made up, and posed on all fours on a bed, pouting our lips, waiting to be put to use.

So, okay, knowing how much misogyny (the hatred of women) bothers me, there’s a big risk for me in seeking out vintage books to alter, particularly since I like children’s books best, due to their thinner spines, thicker pages, and their imagery.  The risk comes because children’s books are some of the worst sources of anti-female-empowerment propaganda you can find.  And I guess it’s time for me to process some of that through art, because I picked up a book in the thrift store yesterday that has it all up in my face today.  I’d seen it there before and left it, but yesterday I just had to bring it home.  Its pages are thin, so that’s a downer, and they don’t lie flat when open, so that’s a big downer, but I love the size of it, the weight of it, the feel of it in my hand.  Something about it felt ‘right’, so I took it despite these features that would normally make me pass on it.  Again.

Then I paged through it at home to see what I was inspired to do.

Cry, first of all.  Weep bitter tears of anger and frustration.  This book was published in 1966, and every single story throughout this book, which appears to have been used in the schools, features ONLY boys as the active characters.  Every child that goes off to try something, find something, discover something, is a boy.


And each boy goes to men to get help for his adventures.


Women are featured only as moms, and even then only rarely, and all they do is frown and make dinner and nag kids about doing their homework.  A girl reading this would get the picture, very clearly, that girls don’t matter.  Girls don’t do anything fun, important, smart, or exciting.  They stay home.  They cook.  That’s it.  Boys are the real people.  Boys matter.  Boys make things happen.  Boys go outside.  Boys leave the house.  Boys go into the world.  Boys do everything great.  And men, of course.  Men are making history.


Men help boys make things happen.  Men know stuff, do stuff, think stuff.  Women serve men and boys and nag them.  Girls don’t even exist.  Even all the PETS in this book are male.  Every character that could be non-gender-specific is male.  Every question is answered by a male.

I’m turning 44 next week.  So this is the shit my mother was raised on in school.  And, because I was raised in a tiny, rural, very poor, very shitty school district in Idaho with very old books, it was probably pretty representative of the shit I was raised on, too.

I have something to say to the publishers, writers, and educators who propagated this bullshit.  FUCK.  YOU.  Whoever made this book.  In 1966.  Fuck you.  How could our mothers possibly have gotten any other message except that THEY DON’T MATTER.

How could I have heard anything but that as a girl growing up?  I didn’t.  I heard you loud and clear.  I have all kinds of self-loathing and deep, horrible, wrenching depression and anxiety thanks to this education.  And I’m hip to the fact that it’s still going on.

But it’s no longer unnoticed, working subtly in the back of my mind.  I see it.  I see it everywhere, all the time, to this very day.  And today, I’m calling you on your shit.

According to the messages we get from the media (and this includes women’s mixed media art, but that is a whole ‘nother rant for another time):

Women are never sexy enough, never thin enough, never young enough, and exist primarily to be a hole to fuck, a caregiver to children, a maid, and a cook.  And we like it that way.

And by god, we had all better look like we just spent five hours in a makeup chair while we do it, too.  Because women are sad, pathetic, subhuman beings whose facial features when left in their natural state are so repulsive that we are expected to put a layer of paint over our features to create new faces, faces more pleasing to men, faces that are younger-looking and more sexually provocative.

Our natural body hair is just simply unacceptable unless it is on our heads and long and slutty and easy to grab when men want to control us.

We need to teeter on 4-inch heels that keep us from moving safely or quickly in the world, and which cause us pain and spinal deformity.  They make our legs look longer and thinner and constantly remind men that really are we’re good for is a good fuck.

We must bare our legs and breasts to everyone at all times to keep men titillated and remind everyone of where our real value lies. And real women wear skirts, the shorter the better, again to bare those legs and to keep us easily sexually accessible at all times.

If we are not constantly trying to be more beautiful, younger, thinner, sexier, and more pleasing to men, we are not a real woman.  And by the way, the standards for all of those things are set by people who use computer graphics programs to produce imagery of women that REAL women will never, ever, EVER be able to match.

So yeah.  Angry crying.  Wrenching sadness from deep down inside.  Serious thoughts of burning the book.  Then I thought, well, I’ll take the text block out and reuse the cover, making my own signatures.  But this book is cemented together.  The pages aren’t stitched, which is why the book doesn’t open flat, and there is cement (glue) all down the spine, making it impossible to remove the text block.

My artist-hero, Juliana Coles, says there’s no right or wrong, no accidents, that everything is just a problem there to inspire your creativity as you work to solve it.  I believe that.  So I delved more deeply.

Then I got another idea.  And that’s what I’m sharing with you today.  I’ve gone through and thinned out the book so that it won’t fall apart when I’m working in it.  I left three pages, tore out three, left the next three, and so on, all the way through the book.  I am going to then glue together each of the sets of three to make one sturdy page.


Then I’m going to cut out pictures of girls and glue on every damned page of this journal, re-inserting girls into this fucked-up misogynist world.  I don’t know where it will go from here, whether the journal will end up themed on every page to empower women and girls or if it will be an ‘anything journal’, with girls in the background, the precious, beautiful, re-discovered foundation of every page, no matter what the topic.  Maybe once I’ve re-included girls in the stories, I’ll just burn the damned thing after all, because it will still make me so angry to think of all the school girls forced to consume this mindfuck.

Or maybe I will claim this container as mine, transmute the evil inside, empower it with feminine presence and power, and form a personal relationship with this journal unlike any other.  Maybe I will fill it with the intense magic and mystery and profound power that ONLY comes from the Divine Feminine.

I will follow my heart in this journey wherever it leads, and I plan to tell you how it goes.

For now, I’m going to sit with a pile of magazines and books and a pair of scissors and cut out girls.  GIRLS GIRLS GIRLS GIRLS GIRLS.   Girls, god damn it.  GIRLS!


Sorting through art journal choices…


Too many choices!

Too many choices!

So, if you happen to be new here, let’s start by saying that I’m really into art journaling.  I’ve been doing it for just over 3 years now and I love it.  I’ve dabbled in ALL kinds of art journaling, visual journaling, and creative journaling, and I’ve bought lots of books, watched LOTS of youtube videos, and even taken a few online classes in my quest to learn more about it and explore it thoroughly.  I’ve actually even finished a few journals.  Pause here for the appropriate shock and awe, if you know me.  And I have a whole lot more started.

Which is kind of the problem.  Right now, I’ve just finished my most go-to journal, and I have a wide variety of journal types available and never really know where to work, with the exception of the extremely intense work I do in my Book of the Night workshop.  So I’m gonna try and focus in on a daily art journal choice that will be the most likely to bring me joy, by thinking out loud in this blog post.

My current books:


Book of the Night.  This was an old hardback book on how to play the stock market, written in the 80’s for a very specialized audience.  It’s full of insane gibbrish and awesome dot-matrix graphs that mean nothing to me.  I’m altering it and using it in my Book of the Night workshop, given by Juliana Coles, my favorite artist and Extreme Visual Journalist.  I’ve painted it black and glued pages together and put black gesso on some and made a book mark and pockets and etc. etc.  I know exactly when to pull that one out, and although I’ve put a few non-workshop related things in there, I wish I hadn’t and don’t want to anymore.  I only want to do BOTN work in this from now on.  So that’s settled.


Composition notebook turned art journal.  I love comp notebooks and just honestly can’t get enough of them.  I love how heavy they feel, their hard covers, their cloth spines, the way the pages are stitched in and not glued, the rounded corners…I just love these sumbitches.  My inner child decorated this one’s cover last week and made the sparkly gold closure, and I think this would be a good place to go when I just want to play with my stuff like a kid.  I don’t want to glue pages together but instead just gesso them all, so I have thin but strong pages that make a very satisfying crinkly sound when I leaf through them.  This is a new experiment.  I have about 4 spreads gesso’d already, so it’s ready to work/play in a little.


8 1/2 x 5 1/2 hardbound sketchbook.  I just finished one of these (on the left, Artist’s Loft) and bought another (on the right, Art Alternatives).  I like to experiment with media on a known, blank art paper, and I like the feeling of a hardbound sketchbook.  I like to sketch with pencil and pen and watercolor pencils and watersoluble crayons, and for the most part, this paper can take that well.  But it’s not thick, and heavier washes will bleed, which is a real drag since that’s what I’ve been doing most often when I play.  I can’t really do that in here.  And it doesn’t take actual watercolor well at all.



8 1/2 x 5 1/2 inch spiral bound Strathmore Mixed Media journal/sketchbook.  I painted the cover, so I’m showing you some pages where I tested different media inside it instead.  I love this heavier paper for doing my heavier watercolor washes on, and it’s sturdy enough to stand up to layering.  It’s also smooth enough for markers and takes the washes I like to do over them well, without bleeding and falling apart.  But I don’t like spirals.  I think they’re ugly, and they make doing 2-page spreads kind of impossible since the pages don’t meet and there’s this big wire between them.  Spiral binding on my book just makes me not want to do art there.  I end up taking lots of notes in them instead.  I’m seriously considering buying the new Strathmore softcover or hardcover mixed media journal, even though I have lots and lots of art paper I could make my own journals out of.  I think it sounds kinda dreamy, but I’m also afraid I’d be intimidated by its price of nearly $20, and my guilt over having bought yet another type of art journal.  So I probably need to just…step away from the shopping option.  My partner’s nodding as she reads this.



Altered Nature book.  I have this old vintage hardback nature book from the seventies, and the pages are nice and heavy and they lie flat, which is my criteria when choosing a book to alter.  I love the size, it’s about 7 x 9 or so, and it’s not too thick, which is also less intimidating for me.  I’m just now experimenting with leaving the imagery and/or text on the page and drawing or writing over it, but I like it and want to do more of it.DSCN1789


Obviously it’s not a place to play with water media, but it’s a super place to play with layers, and I like the way it takes both graphite and colored pencils.  It has a nice, soft toothiness.


Strathmore Visual Journals.  I have three of these (they were on super sale at Cheap Joe’s), 2 of the 9 x 12 ones and 1 of the 6 x 9 ones.  The one here is a finished one, which was my first mixed media journal.  All of mine are actually watercolor paper ones, not the mixed media paper.  They’re spiral, so obviously that’s why they’re not really contenders.  Also, the page size they say they are is NOT the size they are.  For some whack reason, Strathmore counts the spiral in the size of the page in these!  So your working space is actually less, leaving a tall, thin space for art.  I prefer extra width, portait orientation pages, so these are not making me happy at all.  If you do a page and then cut it out to frame, it will NOT be standard and will not fit the frame.  Which I found out because I tried it.  Seriously, what are they thinking with that?  I won’t buy these again, but I do have three already.DSCN1795

Stonehenge printmaking paper.  I have to bind this into my own books to use it.  This is the number one paper I love the most for watercolor.  I discovered it through Diana Trout in her book Journal Spilling, one of my top five, and upon trying several papers designed specifically for watercolor, I come back to this every time.  I love the way the paint sits and moves on the page (left).


It’s a bit smoother than regular cold press, but more rough than hot press, and it takes pencil, charcoal, and colored pencil just beautifully.  And well, I just love it.  It’s also cheap, at about $2.50 per sheet, and I can make a nice little friendly 5×7 ish book with 32 pages out of one sheet.  I just finished one of those and have another sheet I need to cut down and bind.  But I don’t know if I want to add another book to the mix.  Plus I have inhibitions to using Stonehenge for anything but watercolor, because it is so perfect for it.  But maybe that’s a kind of crazy idea I should toss.

Let’s talk more about that.  I love to do washes over all kinds of media, so sketch paper doesn’t really meet my needs much of the time, it turns out.  BUT…I feel guilty doing dry sketches on either mixed media or Stonehenge paper.  Because it’s so nice and thick and perfect for heavier use.  It feels like wasting it to do simple drawing and sketching.  Which is my own little brand of crazy (one of them).  I have this block to wasting supplies.  I think it actually leads to me wasting more, though, because I look for cheaper paper to take the abuse I want to give the good stuff…and end up with all kinds of papers that don’t quite work.  So…yeah.  That’s stupid.  Okay, we’ve established that.

Mixed media paper is the same.  I feel guilty sketching on it because it’s heavy enough for other use.  But it doesn’t take actual watercolor painting as well as the Stonehenge, so if I want to really play with the properties of watercolor paint, I will always choose Stonehenge for that.  And I don’t like the spiral on the mixed media journal I have right now.  So to use mixed media paper, I’d have to buy a bound book, like I talked about, or buy loose sheets and make my own, if I was going to really enjoy it as much as possible, which is the point.

So what if I made my own Stonehenge paper journal and made that my go-to art journal, creative journal, and non-BOTN visual journal?  Well…okay, but I like hard covers.  I like how they keep my pages safe, and I like how they give me a hard surface to work on when I’m working on the bed or couch or other non-table-type surface, which I do a lot right now.  So…I could either make my own hard covers, ala Jenniebellie on youtube, or I could take the innards out of a hardback book and sew in Stonehenge paper pages.

I’m afraid of the intimidation factor with that too though.  If I do too much prep work on a page or book, it feels too ‘good’ to just play with.  I know, that’s stupid too, but it’s what I deal with.  If I spend all this time and effort making my own book just so, I’ll feel like I have to do only good work in it, which means I won’t do anything.  I have a real bitch of a perfectionist inside who still rules my art life more than I would like.

If I made the book refillable, then I would only be making the cover once but could put pages in it over and over, thus making it less precious to work in.  I could do something like the Midori Traveler’s Notebook does (Yes, I gave in and bought one.) and then just either pamphlet-stitch simple signatures as refills, or really even just fold new folios to slip into the elastic.

But I like the feel of a bound book.  The permanence appeals to me.  The solidness.  The realness.  And I’m not all that gentle with my books.  They get tossed around a lot and need to hold up to that.  I’m finding I like having a closure, too.

Okay, so what about using a really thick hard cover, like a 2 inch thick hardback book, so that I can fill it with like…a ton of pages.  Would that be too many pages, another thing I find intimidating?  (Yes, I know.  More of my own brand of crazy.)  OR…would having all those sheets let me feel more freedom, the abundance of pages allowing me to experiment freely because, hey, there’s more where that came from?  Maybe…and I do like ripping old books apart…and sewing pages together…

Hmm…I think maybe I’ve hit on something…but I only have one sheet of Stonehenge left, so I can only do one or two signatures of that right now.  And I have to buy the sheets in minimum packs of ten, and order them online and wait a couple of weeks for delivery, so it’s no small deal to get more.  And I am just SO not about waiting.  Plus I want to use what I already have.

Oh!  And I just remembered, I don’t like the way Stonehenge takes marker.  It drinks it up and the line is sketchy, not smooth.  Same with pen and ink, another thing I like to play with.  Lately, I really like using water soluble markers and doing a wash or two or three.  Especially for my more childlike creative journaling.  The absolute best paper for that is one I haven’t yet mentioned, which is Hammermill cover stock, which I have a ton of because I bought a case of 500 sheets a few years ago for $12.  I was tickled to find that it actually takes washes better than bristol, and it’s super smooth for markers and pen and ink, as well as just any kind of writing.  It doesn’t take pencil well, though.  Colored or graphite.  Or charcoal.  It’s too smooth and slick.  And I would obviously be limited to either 8 1/2 x 11 sheets or folding those into 5 1/2 x 8 1/2 inch signature pages.

But… what about doing a book that size (we’ll figure out what to use for a cover in a minute) and putting in both Stonehenge and Hammermill papers?  Using Stonehenge for pure watercolor play and for graphite, charcoal, and colored pencil play, and using Hammermill for markers and pens and sketch and wash stuff, and using both for whatever kind of layering work I feel like.  Hmm…that…kinda sounds awesome…I could start by making it refillable, Midori-style, and maybe I can consider each signature its own book so it can contain that period’s work and then I can move into a new signature as my new container.  And if I don’t enjoy that enough, I can bind the pages in permanently.  I have all the paper I need to fill it up right away, if it’s mostly Hammermill.  Plus I have a bunch of 9 x 12 pads of art papers like bristol and drawing and watercolor and even canvas paper to make other signatures with, too.

I could also make some signatures out of trash paper, another passion of mine.  I have a ton of it left over from the packaging from a bunch of things we had delivered.  In fact, if the book is refillable, I can experiment with all kinds of signatures whenever I want…but maybe I can form a relationship with the book itself, and feel like it’s a friend I can go to when it’s time for creative expression.

I think I’m onto something…a journal for (almost) all seasons and reasons…and I think that’s enough thinking out loud for now!  I’ll keep you posted.  And I’d love to hear what your own favorite journal is, as well as any suggestions or feedback on my possible choices!

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Thanks for joining me on The Artful Journey.

Hello and welcome to my new blog!

If you’re following me over from The Flighty Artist, a special big THANK YOU for all the support and love you’ve given me over the past few years as I’ve explored the wide world of mixed media.  If you’re new, that’s awesome too.  I hope you find my posts interesting and enriching in some way.  My intention is to share here in a much more intimate and consistent way than I have shared anywhere in the past, and to couple that with a fun new Youtube channel, where I’m going to take a shot at doing my first videos.  I absolutely love to bop around Youtube, watching people do art, show their spaces, show off their supplies, and talk about their process, and I think it would be fun to make some videos myself.  I’m not looking to promote anything or sell anything, I just want to share and have fun.

but the first thing I have to do now that I’ve got my new blog set up is figure out what kind of book I’m going to use as my new daily art journal, since I just finished a couple of them, so look for that as my first post!

Too many choices!

Too many choices!

And I plan to get myself a new tablet and get set up to do videos by the end of the month, so I’ll probably start February off with a journal flip of the ones I just finished, because I think journal flips are all kinda fun.  Of course, it helps to know what you’re doing, and I’m hoping to figure all that out by February, so wish me luck with that, and *please*, if you have any tips for a video-making newbie, I’d be soooooo grateful if you’d leave them in the comments!

Thanks for visiting!  Come again soon!